One. Two. Three… One. Two. Three… One. Two and three. We all have a beat that is distinctly our own, like a fingerprint. Each person’s heart drums out its unique song, but oftentimes we walk past each other without even noticing this quiet symphony happening around and within us. I too was guilty of this before participating in the drum circle at the West Side Catholic Center , an organization providing services to people experiencing homelessness on the West Side of Cleveland.
The most challenging part of working at the West Side Catholic Center is the hierarchy that arises between the clients and me. By no means do I want this chasm to exist, but sometimes it feels inevitable because of the relationship that results from being the person with access to the material objects that others want or need. Most conversations seem to lead to a point where the client says some variation of the following, “You work in the back, right? Can you get me a radio?” I am the “giver,” while the client is the “receiver,” the servant versus the person being served. This exchange is shallow, dehumanizing for both people and leaves no opportunity to truly appreciate the mystery that lies in the “other.”
I do recognize that I chose to work at this agency because I want to assist people in getting the items they need. I am grateful for the opportunity to, very literally, “clothe the naked and feed the hungry”, but at the same time, I have a deep sense that there needs to be something more. If a superficial exchange is all that we share together, we are missing each other in a fundamental way.
I am constantly seeking ways to upset this dynamic, but the most beautiful and almost effortless channel has been in the drumming circle we have once a month. In this space, all of the labels and power dynamics melt away easily, and we are able to meet each other in a different way and more importantly, on the same level.
The normally loud and chaotic drop-in center is transformed into a sacred space of encounter. Staff, clients and volunteers sit intermingled on the blue plastic chairs used during the busy lunch hour. The tables are pushed to the side, and the chairs are placed in a circle, a symbol of inclusion, unity and wholeness. Each person holds his or her own instrument, be it a drum or an extraneous item from the kitchen.
We go around the circle, and everyone takes a turn striking his or her instrument once. Each drum, like each person, has a unique voice, and we take time to reverence and to listen to them all. The symbolism is clear: we all come to this circle with different backgrounds, experiences, and perspectives that make our own voices unique. This diversity is what makes the moment we are sharing now so significant and healing because we bring each other to a place greater than we could ever hope to achieve alone. My empty coffee tin and drumstick aren’t impressive by themselves, but when combined with the rhythm of the other “voices,” the hollow and metallic music they produce is a welcomed accent to the rich and smooth sound of the drums all around.
The leader of the circle starts with a simple beat, and we all mimic his motions in a voiceless call and response. We play in unison at first, but gradually each person modifies the sentence until we are sharing the beat we feel inside, the one that is distinctively our own. We all have our own rhythm to bring to the circle, but the underlying beat from when we started is ever present and keeps us tied to one another. I play a simple One. Two. Three. One. Two. Three. The rhythm fills me and causes me to sway. As I play with my eyes closed, I hear the beat of another drummer from somewhere in the circle, and I notice that my pattern has begun to change. One. Two. Three. has now become One. Two and three… One. Two and three… One and two and three. I have let the unknown drummer in, and this person has moved me from the inside. Our beats intertwine in a dance, a constant ebb and flow, that ties us to one another. I focus in on a different beat and the process starts again and is happening all around me. This is the rhythm of life: an initial encounter, time shared together, and then the inevitable moment of parting with the knowledge that we have been changed.
The door opens, and a new client walks into the room in the midst of this soulful exchange. He is timid and sits in a chair outside the circle at first. I walk over, hand him a drum and invite him to join without saying a word. He moves into the group and smiles as he finds his own voice and hears it in relation to the others who are already confident.
We continue drumming for awhile, blissfully unaware of the minutes passing. Finally, when the group feels that the song has run its course, we start to wind down. Listening to one another, each person plays slower and slower until we end together on the final beat. One. Two. Three... One…Two…Three…One.
Brenna Davis
This story has a nice rhythm, it is very poetic- which is hard to do for a short story. Your experience of the drum circle is well thought out- it is more than just a fun thing to do, it bridges the distance between people. It’s a beautiful argument for creative self-expression in unexpected settings.
ReplyDeleteThe thing I love most about this is that it is such a simple idea. Someone made it happen. People that are experiencing a similar divide between “helpers” and “helped” could do something like this to bridge the distance.
It is a beautiful reflection on a small way to connect with people in a real, mutual give-and-take way. I am curious- have you thought about other ways you could empower the people you encounter to step out of the victimizing role of “homeless person”? Share who they are…give back…etc?